The veteran of challenging, cross-genre experimentation and collaboration, Henrik Schwarz, returns to our imprint with his "Together" EP.
The lead track “Come Together” matches a timely message with an equally uplifting sound, and provides a masterclass in composition and sound design, taking few elements and transforming them into a crescendo of devotional ecstasy.
From the off, „Omnibus“ makes its intentions known with a powerful kick drum and bass thrum, yet contrasts that with melodic sweeps and stanzas which shimmer with an recognisable retro gleam.
By using acoustic instruments as the source of his music, he creates freshly new electronic sounds through its treatment with digital interfaces. In addition to his live performances, Henrik focuses strongly on his jazz projects away from the electronic cosmos, but with his new tracks "Come Together" and "Omnibus" he proves once again that he seamlessly ties in with his never aging sound.
IV92 - Tracklist
A. Come Together
B. Omnibus
Digital Front Cover
![]()
Digital Back Cover
![]()
![]()
![]()
The time has come for our Secret Weapons Part 12. This series represents a mix of various soundscapes and moods, taking you on a trip from peaktime to afterhour; as Âme & Dixon have proven during their shows around the universe. It marks the beginning to the new decade and draws a bridge for creative areas to flourish.
IV91 - Tracklist
A1 Butch - Lale
B1 Bryan Kessler - Cucú
B2 Nandu - Gates To The Galaxy
C1 INVŌKER - Churches
C2 Ditian - Forgotten April
D1 Glowal - Pressure
D2 Underspreche - Acid Gentle Moves
E1 Musumeci - Pawn Storm
E2 Shiffer - Magnum
F1 Dodi Palese - Shape Played
F2 Luke Garcia, Th3 Oth3r - Amplifier
G1 Trikk - Movimento
G2 EdOne - Dissection
H1 Coloray - Gazing Eyes
H2 Impérieux - Stopped Growing For A Year
Digital Front Cover
![]()
Digital Back Cover
![]()
![]()
![]()
![]()
Five years on from the quartet of special records which marked Innervisions’ 50th release, the Berlin label is closing out the 2010s with a triptych of talent, for IV90.
The three separate EPs which make up release #IV90 feature the sonic narratives of Bruno Deodato alias Trikk, the return of “Karma Baby” hitmaker Jimi Jules, and Copenhagen’s Denis Horvat matriculating from Secret Weapons alumna to standalone debut. With both productions road-tested by Innervisions’ label heads and new material to explore, the final Innervisions release of this decade will draft the blueprint for the next.
Trikk stomps into the frame with “Facas,” a sultry and dark electro pop production offset by jangling accents. Arcs of bright melody cocoon it in a vintage aesthetic, as a cinematic songwriterly approach adds the emotional heights of an instrumental version of a beloved classic song.
“Concreto” uses the sound of syncopated drum skins to gradually evolve into the irresistible shake and groove of Italo disco, replete with shimmering pads and twangy strings, yet built with gleaming, modern machinery.
“Ardente” switches gears with a thick bass drum kick and a slinky midnight swing. While hard-edged pads strike downwards through the midsection the latter half reprises the melody along a full spectrum of sound, cementing the track’s dancefloor appeal.
IV90.I - Tracklist
A. Facas
B1. Concreto
B2. Ardente
Front Cover
![]()
Back Cover
![]()
Five years on from the quartet of special records which marked Innervisions’ 50th release, the Berlin label is closing out the 2010s with a triptych of talent, for IV90.
The three separate EPs which make up release #IV90 feature the sonic narratives of Bruno Deodato alias Trikk, the return of “Karma Baby” hitmaker Jimi Jules, and Copenhagen’s Denis Horvat matriculating from Secret Weapons alumna to standalone debut. With both productions road-tested by Innervisions’ label heads and new material to explore, the final Innervisions release of this decade will draft the blueprint for the next.
Opening the EP with his highly-sought secret weapon “Fool,” Jimi Jules continues to masterfully juxtapose emotional content against singularly appealing deep dancefloor material. “Just a fool, in your eyes, Just a fool, that’s me,” is crooned while trilling, whistling high-frequency tones meet vibrato bass and looped melodies.
“My Father Was A Master” is moulded from an undeniable electro influence. The lyric “My father was a prince, He was a king, He was a master ” is repeated in unemotional robotic style, befitting the sharp synth stabs and muscular structure.
“Gubrist” introduces a major-key mood, pairing a filtered riff with an upbeat house tempo, seeking accents in cowbells, uplifting synths and a deeply-swung bassline.
IV90.II - Tracklist
A. Fool
B1. My Father Was A Master
B2. Gubrist
Front Cover
![]()
Back Cover
![]()
Five years on from the quartet of special records which marked Innervisions’ 50th release, the Berlin label is closing out the 2010s with a triptych of talent, for IV90.
The three separate EPs which make up release #IV90 feature the sonic narratives of Bruno Deodato alias Trikk, the return of “Karma Baby” hitmaker Jimi Jules, and Copenhagen’s Denis Horvat matriculating from Secret Weapons alumna to standalone debut. With both productions road-tested by Innervisions’ label heads and new material to explore, the final Innervisions release of this decade will draft the blueprint for the next.
The third and final instalment of this trio of EPs finds Denis Horvat exploring a playful melodic narrative. “Tajna” hovers with pulsing and wavering sounds, before alarm sounds and buzzers burst through the reverie to awaken the senses. Disjointed percussive elements then fall into place to complete this undeniable signature production.
Elsewhere a spectral atmosphere is forged on “Fragmental,” from its ghostly vocals and subtle deep house tempo, while subtly tropical percussion bumps it along, adding a twist of humid shimmer.
“Pure Distance” is an opportunity to slow down and reset, with mid-tempo synths meandering around and through its sparkling electro-disco beat.
IV90.III- Tracklist
A. Tajna
B1. Fragmental
B2. Pure Distance
Front Cover
![]()
Back Cover
![]()
Further exploring the far reaches of dancefloor music, we are pleased to welcome Frankey & Sandrino back to our fold with their entrancing Mercury EP.
The title track „Mercury“ is a cosmic voyage through elastic bass & organic percussions. Its mid-tempo rhythm is accented by a twisted ribbon of synth melody that lift your spirits like an orbit around the sun.
“Gamma Ray” pulses into view with a steady percussive rhythm where hi-hats and liquid pulses subtly evoke both inner and outer space until a midpoint peak blasts into view. The EP's closer “Zeta” is a gorgeously moody exploration between the pensive combination of downtempo digital computer sounds and lush live piano keys.
IV89 - Tracklist
A. Mercury
B1. Gamma Ray
B2. Zeta
Front cover
![]()
Back Cover
![]()
Âme, Echonomist, Trikk, Roman Flügel and Mathew Jonson, all feature across this collection of collaborators and peers.
Dixon’s musical selection of the "Transmoderna EP“ initiates the spectrum and visions of a future generation amid shape-shifting and hybrids through sound. Elegant execution and self-assured experimentation in every moment
of all four songs.
From their acclaimed live collaborations, Âme and Mathew Jonson embark on the title track “Transmoderna.” The sound blooms out of an electro rhythm and get touched by a rolling bassline. Voices, out of tune beyond recognition, contain a deep, disturbing feeling, whilst they transform into a repetitive hypnosis. Space is created for pulses and flashes.
Evoking the comfort of the beloved phrase, Echonomist transports the listener “Back To Mine.” At its heart a constant loop, a pulsating synth riff, worshipping journeys up and down the musical scale. A sense of continuous fluid motion; thrilling and calming coextensively.
“Marazul” by Trikk is a brooding slow-burner. The sci-fi synth workout soars upwards into cinematic string arrangements which tug at the heart, simmer and spill over at occasional moments of release.
Frank Wiedemann & Roman Flügel close the EP by joining forces on “Tears On The Dancefloor.”. A twangy, warped guitar string takes its place in centre, accompanied by syncopated wooden rhythms which curve around the contours of dramatic synthesizer magic.
IVTM1 [DIGITAL ONLY] - Tracklist
A1. Âme feat. Mathew Jonson - Transmoderna
A2. Echonomist - Back To Mine
B1. Trikk - Marazul
B2. Frank Wiedemann & Roman Flügel - Tears On The Dancefloor
Digital Cover
![]()
The evocative home listening journey presented in Âme's debut album "Dream House" has now been transformed into a range of indispensable dance floor remixes, reminiscent of the dance weapons crafted by Âme over the last decade.
From darker interpretations by Marcel Dettmann to a more tropical and chord driven take by Rampa, seven friends show their perspective and freedom through 10 tracks that will be released in three waves until the end of August.
IVLP09X - Tracklist
Release Date 09.08.19
Part 1
A1. Âme - No War (Rampa Remix)
B1. Âme feat. Matthew Herbert - The Line (Solomun Remix-Frank's Vote)
B2. Âme feat. Matthew Herbert - The Line (Solomun Remix-Kristian's Vote)
Release Date 16.08.19
Part 2
A1. Âme - No War (Fango Remix)
A2. Âme - Helliconia (Marcel Dettmann Remix)
B1. Âme feat. Gudrun Gut - Gerne (Marcel Dettmann Remix)
[Digital Only] Âme feat. Matthew Herbert - The Line (Marcel Dettmann Remix)
Release Date 23.08.19
Part 3 [Digital Only]
1. Âme - No War (Ry X Remix)
2. Âme feat. Gudrun Gut - Gerne (Roman Flügel Remix)
3. Âme - Oldorado (Mano Le Tough Remix)
Part 1 Digital Cover
![]()
Part 2 Digital Cover
![]()
Part 3 Digital Cover
![]()
With his singular talent for constructing sound worlds with flashes of futurism, Innervisions alumnus Toto Chiavetta makes a welcome return to the label fold. Sound Between Colour EP showcases new and uncharted terrain of cinematic thriller landscapes and dramatic shifts of temperature and tone, all illustrated in technicolour.
Title track “Sounds Between Colours” begins with a mood of spectral suspense. An unresolved three-note loop evolves through building dramatic tension, while percussive accents ping and fall like natural elements. Boiling point is reached in the final quarter, with bright synth chords that add an unmistakable science fiction feel. “This Does Not Happen Where The Sun Rises” is an unsettling and darkly suggestive excerpt of sound artistry. A filtered solo beat is as muffled as a distant heart, forming the foundation for nightmarish distorted speech, warped clocks, metallic stabs and floating cymbals that all evoke a certain doom.
“Metrica” is marked by a thrumming beat and ticking timekeeping instruments that reflect the rigidity of its name. The song’s metronomic construction and hard-edged layers add a sharp clarity to each sound element. In an eerily quiet breakdown, vast waves of sweeping electronic sounds are chilling, before the deep tech soundscape roars back into full view. As a counterpoint to the precision, “Dedication To All The Mothers And Their Moons” is a perfect fusion of organic substance and rounded style. An affecting vocal sample introduces the guitar-influenced song which features plucked notes, strummed melodies, and a warm Mediterranean feel, as voice is woven deftly around the beat.
IV88 - Tracklist
A1. Sounds Between Colours (Kelo)
A2. This Does Not Happen Where The Sun Rises
B1. Metrica
B2. Dedication To All The Mothers And Their Moons (feat. Mbissane Ngom)
[Digital Only] Dedication To All The Mothers And Their Moons (feat. Mbissane Ngom) (Radio Edit)
Front Cover
![]()
Back Cover
![]()
Making a hotly-anticipated return to the Innervisions fold two years on from his acclaimed EP Hall Of Violence , Keinemusik founder Rampa also reveals a stunning return to form. His impeccable programming of club-ready beats, complex melodies and both sung and spoken words are at the very core of They Will EP.
“79249 Intro” is a moody, suspenseful appetizer, beginning with tiny elements which gradually increase in intensity. Rampa’s micro percussion, fragmented handclaps and a deeply submerged bass loop build in increments from distorted fog to clarity. Layers of tapping and clicking accents lift up a spoken refrain that is variably compressed, stretched and distorted. Animalistic sounds call out of the void to howl at the moon and add splashes of midnight birdsong. At the point of peak, the arrangement once again recedes into the pitch black from where it emerged.
The creeping subtlety of the opening track ends once “They Will” bolts out of the gate. It’s built upon the tension of a tough oscillating bassline that flickers and shifts through rising and falling notes. The sounds of collapsing structures, bubbling molten metal and feverish high hats add edgy angles; Rampa’s competing time signatures increase the kinetic energy. Elements of shimmering ride cymbals and sci-fi synth pad strings rise and drop out at sharp junctions, like the masterful pulling and pushing of levers.
Rampa’s collaboration with Danish maestros WhoMadeWho, “Tell Me Are We,” is a triumph of emotionally-driven music production which has already caught the ears of the world’s best selectors. WhoMadeWho’s Tomas Høffding hits high notes and high emotions, over a snaking deep-tech beat. The result is a symphony of chattering cymbals, epic soaring vocals, and electronic pop mastery. The sultry shimmy of “Lavender Boogie” closes out this quartet. Driven by tropical bongos, syncopated handclaps, and cosmic chords, its slinky midtempo feel completes the rich palette of Rampa’s newest creation.
IV87 - Tracklist
A1. 79249 Intro
A2. They Will
B1. Tell Me Are We (w/ WhoMadeWho)
B2. Lavender Boogie
Front Cover
![]()
Back Cover
![]()
17.05.2019
![]()
![]()
30.04.2019
![]()